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Govardhan (fl. 17th century) was a well-known Indian painter from the period of the Mughal Empire. The son of painter Bhavani Das, Govardhan joined imperial service during the reign of Emperor Akbar, and continued serving the imperial court during the reign of Shah Jahan. He was one of the illustrators of the <i>Baburnama</i>.
Govardhan (fl. 17th century) was a well-known Indian painter from the period of the Mughal Empire. The son of painter Bhavani Das, Govardhan joined imperial service during the reign of Emperor Akbar, and continued serving the imperial court during the reign of Shah Jahan. He was one of the illustrators of the <i>Baburnama</i>.
The <i>Padshahnama</i> is a genre of works written to visually record the reign of Mughal Emperor Shah Jahan (5 January 1592  – 22 January 1666). The historical volumes were written by multiple authors, including Muhammad Amin Qazvini, Jalaluddin Tabatabai and Abdul Hamid Lahori, the latter having written the most significant works of the genre.<br/><br/>

Lahori completed his two-volume portion in 1648, and when he died in 1654, his pupil, Muhammad Waris, completed the last volume of the <i>Pahshahnama</i>, covering the final years of Shah Jahan's reign. These works are the greatest source of information on Shah Jahan's rule, with indepth looks at his court and the administration of the Mughal Empire.
Guanyin, short for Guanshiyin, is a bodhisattva in Mahayana Buddhism often associated with compassion and mercy. While she is often portrayed as a woman, she is beyond gender and can be depicted as both male and female.<br/><br/>

Guanyin is often referred to as the 'most widely beloved Buddhist Divinity', due to her miraculous powers and her loving compassion. She is not only worshipped in Buddhism, but also in Taoism and Chinese folk religion, with various stories and legends about her. Guanyin plays a very important role in the classic Chinese novel 'Journey to the West.'<br/><br/>

She is known by various names in different nations, with the Japanese calling her Kannon/Kwannon, or more formally Kanzeon, while in Thailand she is called Kuan Im. She is extremely popular, with temples dedicated to her found throughout South and East Asia, especially in China and Chinese folk religion.